Art | Sci

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Thursday, 7 August 2025 - 6:06pm

The UCLA Art Sci Center is excited to continue its research and partnership with the Advanced Light Microscopy and Spectroscopy (ALMS) Lab. This collaboration bridges art, science, and technology through innovative imaging and interdisciplinary exploration.

The Advanced Light Microscopy and Spectroscopy (ALMS) laboratories provide a unique collection of high-end, customized fluorescence microscopes, small-animal imaging devices, and fluorescent probes to perform fluorescence-based measurements at various spatial (nm to cm), temporal (ns to days) and spectral (UV-NIR ) ranges. Our laboratory provides consultative services and offers support for the application of novel spectroscopic methods and advanced microscopy techniques to achieve high spatial and temporal resolution from whole in vivo animal imaging down to sub-70 nm imaging using super-resolution nanoscopy techniques. Along with access to specialized state-of-the-art instrumentation, we train investigators in advanced imaging techniques which are used to study macromolecules, cellular dynamics and to characterize biomaterials with nanometer-accuracy. Our laboratories offer open access to all academic investigators from local, national and overseas universities as well as to small start-up and mid-size companies.

Laurent A. Bentolila, Ph.D.
Dr. Bentolila is Director of the Advanced Light Microscopy/Spectroscopy Laboratory, the Macro-Scale Imaging Laboratory, the Leica Microsystems Center of Excellence, and a Senior Research Scientist at the California NanoSystems Institute, CNSI, at UCLA. Dr. Bentolila’s long-standing research interest focuses on the application of nanotechnology and advanced light microscopy techniques to biology and medicine. Towards this goal, Dr. Bentolila has developed novel fluorescent probes and assembled a unique collection of custom-built and commercial optical microscopes used for the study of macromolecules, cellular dynamics, and nanoscale characterization of biomaterials. Since joining UCLA in 2002, he has received continuous federal and institutional funding to develop multi-disciplinary research programs and support a state-of-the-art optical microscopy Technology Center that fosters innovation across disciplines and facilitate university collaborations with industry. Dr. Bentolila is the recipient of several awards including the European Molecular Biology Organization and the Burroughs Welcome Fund.

Haley L. Marks, Ph.D.
Dr. Haley L. Marks, Ph.D. is a biomedical engineer with interests in nano-biosensor research, translational medicine, and optics education. She has expertise in developing novel reporter dyes, nanoparticles, and has extensive experience working with spectroscopy/microscopy instrumentation, 3D printing, and developing microfluidic and lateral flow assay platforms. Since joining CNSI in 2022, Haley has served as a technical expert, providing advanced light microscopy training and services to ALMS users. She works developing and optimizing ALMS’s existing super-resolution and high-speed optical methods, developing strategies and imaging tools for in vivo imaging, and optimizing and disseminating computational imaging techniques. Haley was a recipient of the Whitaker International Fellowship and of the SPIE Franz Hillenkamp Fellowship.

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Thursday, 7 August 2025 - 5:26pm

The UCLA Art | Sci Center is excited to announce its new partnership with The Smart Image Content Research Center, uniting art, science, and innovation through collaborative exploration.

Hak Gu Kim
Hak Gu Kim is an Assistant Professor at Graduate School of Advanced Imaging Science, Multimedia & Films (GSAIM), Chung-Ang University, where he is leading Immersive Reality & Integrated Systems Lab (IRIS LAB). Before joining Chung-Ang University, He was a postdoctoral researcher in School of Computer and Communication Sciences (IC), a visiting postdoctoral researcher in Electrical Engineering at École Polytechnique Fédérale de Lausanne (EPFL), Lausanne, Switzerland. He received the B.S. and M.S. degrees in School of Electronic Engineering at Inha University, Incheon, Korea, in 2012 and 2014, respectively. He received the Ph.D. degree in School of Electrical Engineering at KAIST, Daejeon, Korea, in 2019. His research interests lie in developing state-of-the-art machine learning and deep learning-based integrated systems to shape the future of immersive reality (e.g., 3D, AR, VR, XR, Metaverse), focusing on the convergence of generative AI and reality.

Hyeokjun Kweon
Hyeokjun Kweon is an Assistant Professor at the Graduate School of Advanced Imaging Science, Multimedia & Film (GSAIM), Chung-Ang University. He currently leads the Foundational Vision Laboratory (FoV LAB). He received his B.S., M.S., and Ph.D. degrees in Mechanical Engineering from KAIST in 2018, 2020, and 2025, respectively. His research interests include computer vision and deep learning. He is particularly interested in how intelligent visual systems can learn effectively from limited data, adapt dynamically across domains, and collaborate meaningfully with humans. His long-term goal is to develop generalizable and human-aligned visual AI models that can serve as reliable companions in real-world applications. His research has been selected for an oral presentation at CVPR 2024 (top 0.8% of 11,532 submissions) and a highlight paper at CVPR 2025 (top 2.6% of 13,008 submissions).

Jihyong Oh
Jihyong Oh is an Assistant Professor at the Graduate School of Advanced Imaging Science, Multimedia & Film (GSAIM) at Chung-Ang University (CAU; Seoul, South Korea), and has been leading the Creative Vision and Multimedia Lab (https://cmlab.cau.ac.kr/) since September 2023. Prior to this, he was a postdoctoral researcher at VICLAB at KAIST (Daejeon, South Korea). He received his B.E., M.E., and Ph.D. degrees in Electrical Engineering from KAIST in 2017, 2019, and 2023, respectively. He was a research intern at Meta Reality Labs in 2022. His research primarily focuses on low-level vision, image/video restoration, 3D vision, and generative AI. He has published papers at CVPR, ICCV, ECCV, AAAI, TPAMI, TCSVT, and Remote Sensing, and serves as a reviewer for these conferences and journals, as well as for SIGGRAPH and IEEE TPAMI, TIP, TGRS, and Access. He received Outstanding Reviewer Awards for ICCV 2021 and CVPR 2024.

Jin Wan Park
Jin Wan Park is a Professor at the Graduate School of Advanced Imaging Science, Multimedia & Film (GSAIM), Chung-Ang University. He received his MFA in Computer Animation and Interactive Media from Pratt Institute in 1998, during which his animation "BUG" was selected for the SIGGRAPH Electronic Theater Program. He also holds a Bachelor’s degree in Computer Science from Chung-Ang University. As both an artist and a scientist, Professor Park’s work centers on pioneering new forms of artistic expression made possible through advances in science and technology. His distinguished career includes roles as Director General of R&D at Korea’s Ministry of Culture, Sports and Tourism and as Dean of the Graduate School of Advanced Imaging Science at Chung-Ang University. Currently, he leads the BK21 project group for AI & Contents. Professor Park’s creative achievements have been showcased in dozens of international exhibitions—including over ten appearances at the SIGGRAPH Art Gallery—and he has authored more than 180 academic papers, with four published in Leonardo. Additionally, he has served four times as the Art Gallery Director for ISEA and SIGGRAPH in Asia.

Sanglim Han
Sanglim Han is a media artist, researcher, and Assistant Professor at the Graduate School of Advanced Imaging Science, Multimedia & Film (GSAIM) at Chung-Ang University, where she also serves as the director of the Generative Media Art Lab. Her practice involves creating generative media art that transforms data into sensory experiences. Using technologies like AI and VR, she critically examines contemporary techno-culture by building virtual worlds where digital nature and algorithm-driven materiality coexist. Her work has been presented extensively across North America, Europe, Asia, and Africa. Notable solo exhibitions include the “Digital Ecologies of the Self” at the International Conference on Videogame Science and Arts and an exhibition at the San Diego Media Arts Center. She has participated in major international festivals such as the QLD XR Festival, Ars Electronica, the PROYECTOR Festival, and Video Vortex XI at the Kochi-Muziris Biennale. Han has presented at prestigious academic forums, including the International Symposium on Electronic Art and the Biennial Symposium for Arts and Technology. She received her BFA from the School of the Art Institute of Chicago and her MFA from UCLA.

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Sunday, 22 June 2025 - 9:00am
Exhibitors / Artists: 

High School Summer Institute

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Saturday, 31 May 2025 - 12:00pm
Exhibitors / Artists: 

Anna Nacher

The UCLA Art|Sci Center invites you to join us for the culminating event of the Atmosphere of Sound series, presented as part of the Getty Pacific Standard Time initiative. This final offering takes the form of a participatory soundwalk titled Breathing for Interdependence, created by Polish artist and theorist Anna Nacher.

Designed as a 20-minute journey from the North to the South side of the UCLA campus, the walk is a meditative exploration of breath, environment, and interconnectedness. Anna’s soundwalk will lead you from the north of the UCLA campus to the south, along the axis that literally links Arts to Science. From the Broad Art Center, through Franklin D. Murphy Sculpture Garden and Royce Hall, to the premises of Mathematical Sciences and Geology. It becomes an exercise in embodied practice of interdependence, reflecting on how fields often considered separate are in fact mutually co-constitutive. At the same time, the soundwalk will also allow one to sense the simple act of breathing as a form combining regenerative healing practice with social and cultural insights on the roots of contemporary crises: ecological, social, and political. The walk ends at the Field School of Public Health and Mildred E. Mathias Botanical Garden, emphasizing that healing is a process in which people cannot be separated from the broader ecologies of environment, communities, and institutions. It ultimately grounds the walkable connection between Arts and Science in a broader system of life support that should be made available to all beings.

Friday, May 30, 12:00 PM - 1:00 PM
More Info: soundofatmosphere.com

Vibrations Matter

Vibrations Matter explores the unseen and unheard dimensions of sound, frequencies, and vibrations through the lens of art and science. Centering on the practice of attuned listening, these dialogues invite us to tune into the intricate web of planetary ecology. Artists and scientists share how vibrations impact our well-being and reflect on how the fusion of art and science can inspire us to listen more closely and envision a broader, interconnected spectrum.

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Friday, 9 May 2025 - 4:30pm
Exhibitors / Artists: 

Sholeh Asgary

About the Performance


Qanat is an interactive sound and light installation named after the ancient Iranian underground water channel system. By amplifying the resonant qualities of a traditional rug with the sound of water, a pendulum microphone above picks up rug vibrations, movement, and room tone, creating a live feedback loop. Visitors are invited to sit, lie, or stand on the rug, altering the transmission of sound throughout the gallery. The exhibition also includes embossed topographical prints created by Asgary’s breath and a video work referencing water, transmission, and incommunicability. Qanat reminds us that we are all born into the comforting darkness of sound and water.


Performance and Special Event


  • Date and Time: Friday, May 9, 2025, 4:30 PM – 6:00 PM
  • Location: Botanical Gardens
  • Details: Live vocal rendition of Qanat 5 by Sholeh Asgary, with a potential live performance featuring Electronic_Khipu_ by Patricia Cadavid.
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Saturday, 10 May 2025 - 10:00am
Exhibitors / Artists: 

Frederick Janka & JoAnn Kuchera-Morin

Speaker: JoAnn Kuchera-Morin and Frederick Janka
Responders: Shannon Kennedy and Manjari Sharma

MAY 10, 2025, 10am PST / 1pm EST

Our two co-presenters will be discussing four objects from the David Bermant Foundation Collection: Nam June Paik, Participation TV, 1969; Otto Piene, Light Ballet I; Marcel Duchamp, Rotorelief (optical discs) 1935-1953, edition c. 1965, and Alejandro & Moira Sina, Spinning Shaft 1978, 1983. Drawing connections between these artworks and current and upcoming artworks and projects at the Allosphere and the Museum of Contemporary Art Santa Barbara, including DJ Javier: San Milano Drive (October 2025) and Falling into the Future: Kinetic Art at the Edge of the World (October 2026)

COLOR, LIGHT, MOTION is an online series featuring media artists and scholars in dialogue about artworks from the Bermant Collection of media and kinetic arts. Each featured presenter will discuss selected artworks in history and context and in relation to their own work and connections. This series is produced in collaboration with Harvestworks NY and the David Bermant Foundation.

Full Episode Recording: https://youtu.be/iJato8Ah6Ps
David Bermant Foundation: https://davidbermantfoundation.org

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Date for Content + Calendar: 
Friday, 9 May 2025 - 4:00pm
Exhibitors / Artists: 

Sholeh Asgary

Sholeh Asgary’s Qanat is an interactive sound and light installation named after the ancient Iranian underground water channel system. Asgary amplifies the resonant qualities of a traditional rug with the sound of water, as a pendulum microphone hung above picks up the amplified sounds of the rug, movements, and room tone, creating a live feedback loop. Visitors are invited to sit, lay or stand on the rug, affecting the transmission of sound throughout the gallery. The exhibition also includes a series of embossed prints that are topographical mappings created by Asgary’s breath and a video work that references water, transmission, and incommunicability. Qanat reminds us that we are all born into the comforting darkness of sound and water.

Opening on Friday, May 9: 4:00 – 6:00 PM

Location: CNSI Lobby and Art Sci Gallery, 5th Floor of the California NanoSystems Institute (CNSI)
570 Westwood Plaza, Los Angeles, CA 90095

Parking: Parking Structure 9
675 Charles E Young Dr S, Los Angeles, CA 90095

Navigation: After parking, proceed to the top floor of the structure. Take the gangway along the north side of the lot, then navigate around the CNSI building to its east entrance on the 3rd floor. From there, you can access the lobby and the Art Sci Gallery on the 5th floor.

>>Exhibition Dates:
MAY 09 - JUN 06, 2025

Hours:
Thursday & Friday: 2:00 – 5:00 PM

More info:
https://soundofatmosphere.com

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Thursday, 1 May 2025 - 10:00am






Sound + Science 3.0 — UCLA Art|Sci Center



Sound + Science 3.0

Presented by the UCLA Art|Sci Center

This Spring, the UCLA Art|Sci Center proudly presents Sound + Science 3.0, the third installment of its trailblazing symposium series, following editions in 2009 and 2019.

Taking place in person on May 1–2, 2025, the symposium will be hosted across three iconic UCLA locations: the Fowler Museum, the California NanoSystems Institute (CNSI), and the Botanical Gardens.

Held in conjunction with 20 years of the Art|Sci Center and the Center’s exhibition in Getty’s region-wide initiative PST ART: Art & Science Collide, Atmosphere of Sound: Sonic Arts in Times of Climate Disruption, this year’s event brings together leading artists, scientists and scholars to explore the dynamic intersections of sound, science and environmental change.

On view are two works: In Silence… by Joel Ong at the CNSI Art|Sci Gallery, and Electronic Khipu by Patricia Cadavid at the Fowler Museum. Additionally, the Art|Sci Center will launch Leonardo (MIT Press) Volume 58, Issue 2, spotlighting a special theme on Acoustics — a collection of critical discourse on sonic research and artistic experimentation.

Day 01: Thursday, May 1 2025 — Fowler Museum

Time Program
10:00 – 11:00 am Refreshments
11:00 – 11:30 am Victoria Vesna — Welcome & Introduction
11:30 – 12:00 pm Paul DeMarinis — Talk / Demo
12:00 – 01:00 pm Lunch
01:00 – 01:30 pm Carol Parkinson — Talk
01:30 – 02:00 pm Sergey Kasich — Talk / Demo
02:00 – 02:15 pm Break
02:15 – 02:30 pm Anuradha Vikram — Introduction
02:30 – 03:00 pm David Rothenberg & Sholeh Asgary — Performance
03:00 – 03:15 pm Break
03:15 – 03:30 pm David Familian — Introduction
03:30 – 04:15 pm UCI Group Improvisation — Demo / Performance
04:15 – 04:30 pm Break
04:30 – 05:00 pm Roxanne Harris — Performance
05:00 – 06:00 pm Patricia Cadavid — Performance / Tour

Day 02: Friday, May 2 2025 — Botanical Garden & CNSI Auditorium

Time Program
09:00 – 10:00 am Refreshments
10:00 – 10:15 am Victoria Vesna — Welcome & Introduction
10:15 – 10:45 am Adam Stieg — Talk
10:45 – 11:15 am Andrew Pelling — Talk
11:15 – 11:30 am Break
11:30 – 12:00 pm JoAnn Kuchera-Morin — Demo / Performance
12:00 – 12:15 pm Break
12:15 – 12:45 pm Rachel Mayeri — Screening / Panel
01:00 – 02:00 pm Break
02:00 – 02:15 pm Ivana Dama — Introduction
02:15 – 02:45 pm Seth Cluett — Demo / Performance
02:45 – 03:00 pm Break
03:00 – 03:30 pm Patrick Shiroishi — Sound Walk
03:30 – 04:00 pm Jazzy Romero — Demo / Performance
04:00 – 04:30 pm Break
04:30 – 05:00 pm Diana Ayton: Leonardo Special Issue — Event Launch
05:00 – 07:30 pm Reflection Reception — Closing Event

Locations


Fowler Museum exterior

Fowler Museum

308 Charles E Young Dr N, Los Angeles, CA 90024

Exit Parking Lot 4 and walk north along Charles E. Young Drive. Turn left onto the pathway leading into North Campus. The Fowler Museum will be straight ahead.


UCLA Botanical Garden

Botanical Garden

707 Tiverton Dr, Los Angeles, CA 90095

Exit south to Charles E Young Drive East and Manning Drive. Walk south along Charles E Young Drive East. Turn left to enter La Kretz Garden Pavilion.


CNSI Auditorium entrance

CNSI Auditorium

570 Westwood Plaza, Los Angeles, CA 90095

Walk to the top floor of the parking structure. Take the gangway along the north side of the lot. Navigate around the CNSI building to its East entrance (3rd floor).


Participants

  • David Familian
  • Paul DeMarinis
  • Patricia Cadavid
  • Carol Parkinson
  • Sergey Kasich
  • David Rothenberg
  • Sholeh Asgary
  • Roxanna Harris
  • Adam Stieg
  • Andrew Pelling
  • JoAnna Kunchara-Morin
  • Rachel Mayeri
  • Seth Cluett
  • Patrick Shiroishi
  • Jazzy Romero
  • Diana Ayton
  • Haley Marks
  • Natalie Weaver
  • Samuel Yang



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