Speaker: Val Ravaglia will discuss works from the David Bermant Collection including: Wen-Ying Tsai, Martha Boto, and Julio Le Parc
Responders: Francesca Franco and Darko Fritz
MAR 22, 2025, 10am PST / 1pm EST
Val Ravaglia is Curator, Displays and International Art at Tate Modern, London, and Curator of Electric Dreams: Art and Technology before the Internet. They assisted with the complete rehang of Tate Modern's Collection Displays in 2015-16 and have curated numerous collection display rooms since 2012. They co-curated the Tate Modern exhibition A Year in Art: Australia 1992 (2021-2023) and led the touring Tate exhibition The Dynamic Eye: Beyond Op and Kinetic Art. They were the Assistant Curator for the 2017 Turbine Hall Commission by SUPERFLEX and Tate Modern’s Nam June Paik retrospective. Their research interests include the intersections of art, science, and technology, as well as non-anthropocentric philosophies and the posthumanities.
COLOR, LIGHT, MOTION is an online series featuring media artists and scholars in dialogue about artworks from the Bermant Collection of media and kinetic arts. Each featured presenter will discuss selected artworks in history and context and in relation to their own work and connections. This series is produced in collaboration with Harvestworks NY and the David Bermant Foundation.
Joel Ong’s installation, In Silence …, takes a selection of anecdotal stories abstracted from interviews with individuals at medical, ecological, and socio-cultural frontlines, and “narrates” them through actors limited to non-vocal expressions. A reflecting pool reveals patterns that alternate between emergence and disappearance in synchrony with the story’s emotional valences and as cymatic visualizations of speech. The audio for these stories is accessible through a bone-conductance railing nearby, audible through touch. Ong’s work pays tribute to the resilience of these frontline communities through emotional turmoil and uncertainty that has made them feel they were in a perpetual suspension and immobility. This iteration of In Silence at the UCLA Art Sci Gallery also features two survivor testimonials from the Climate Disaster Project (https://climatedisasterproject.com/stories-archive/).
Opening on Friday, April 4: 2:00 – 5:00 PM
Location: CNSI Lobby and Art Sci Gallery, 5th Floor of the California NanoSystems Institute (CNSI)
570 Westwood Plaza, Los Angeles, CA 90095
Parking: Parking Structure 9
675 Charles E Young Dr S, Los Angeles, CA 90095
Navigation: After parking, proceed to the top floor of the structure. Take the gangway along the north side of the lot, then navigate around the CNSI building to its east entrance on the 3rd floor. From there, you can access the lobby and the Art Sci Gallery on the 5th floor.
Celia Hollander + Jenna Caravello, Ivana Dama, Iman Person, Paige Emery
Sound & Science: From Signal to Noise is a curated showcase of sound art performances inspired and informed by scientific fields such as physics, biology, and botany, exploring the vast landscape of auditory and visual experiences. Featuring local LA-based and emerging experimental sonic artists working in ‘eco-acoustics,’ this concert presents sound as a post-object art form.
The performances are intrinsically connected to the artists’ activist work, addressing ecological, social, and ancestral issues. Immerse yourself in a unique auditory landscape complemented by live visual elements.
Artists
Celia Hollander + Jenna Caravello
Ivana Dama
Iman Person
Paige Emery
Patricia Cadavid’s Electronic _Khipu_ is an instrument for interaction and experimental sound generation operated by weaving knots with conductive rubber cords into which sound compositions are encoded. This instrument is based on an Andean quipu, the ancient textile “computer” used for the processing, encryption, and transmission of information in knots and cords of cotton and wool. KHIPUMANCY is a Performance Documentation Video that documents the performance of KHIPUMANCY, presented at the Ars Electronica Festival in 2021. In this collaborative performance, Patricia Cadavid and Paola Torres Núñez del Prado explore the interplay between tradition and technology, performing with their respective khipus: the Electronic_Khipu and the ML: Knot() Khipu. Together, they reimagine the Andean khipu as instruments of sound, storytelling, and cultural resilience.
Location: Fowler Museum
Parking: Parking Structure 4
221 Westwood Plaza, Los Angeles, CA 90095
Navigation: Exit Parking Lot 4 and walk north along Charles E. Young Drive. Turn left onto the pathway leading into North Campus. The Fowler Museum will be straight ahead.
Memory Garden by Iman Person is an immersive sonic installation that explores Black speculative archives through somatic memory, ethnobotany, and land extraction. Suspended glass sculptures with ceramic embellishments represent the shape of the hippocampus—the brain’s memory center. Historical and live weather data from St. Ann, Jamaica—such as humidity, air quality, and temperature—triggers layered audio throughout the gallery and the soundscape features a soft drone of 40-hertz tonal frequencies, a potential tool for improving cognitive functions in individuals with memory loss conditions. Memory Garden serves as a manifestation of the codification of language and experience by journeying peoples.
Location: CNSI Lobby and Art Sci Gallery, 5th Floor of the California NanoSystems Institute (CNSI)
570 Westwood Plaza, Los Angeles, CA 90095
Parking: Parking Structure 9
675 Charles E Young Dr S, Los Angeles, CA 90095
Navigation: After parking, proceed to the top floor of the structure. Take the gangway along the north side of the lot, then navigate around the CNSI building to its east entrance on the 3rd floor. From there, you can access the lobby and the Art Sci Gallery on the 5th floor.
Due to the Los Angeles fires and the UCLA campus closure, we had to cancel the in-person opening reception and panel discussion that was planned for today. We will be sending an updated schedule as soon as circumstances permit.
In 2020, we initiated the research phase of our PST project. Due to the pandemic, Yolande Harris’s planned art residency at the UCLA ArtSci Center had to shift to a virtual format. Despite these challenges, she successfully organized an inspiring and memorable sound walk.
Now, five years later, her exhibition and visit to UCLA has been postponed once again -- this time due to the fires. This highlights the profound relevance of the project’s subtitle: Sonic Art in Times of Climate Disruption. The theme resonates even more deeply today, reflecting the pressing realities we continue to confront.
Although we are hopeful that the fires subside and we are able to bring Yolande to UCLA soon, we recorded a walkthrough of her exhibition at the Art Sci gallery at CNSI and had an online session with her discussing her work with Victoria Vesna's students. They were joined by Dr. Aaron Blaisdell, UCLA Psychology Professor and Chair of the Behavioral Neuroscience area. We will share the recording of this wonderful discussion soon!
Yolande Harris transforms digital traces of whales’ underwater movements into heavy bronze spirals, carves the outlines of their bodies on remnants of human bone using a scrimshaw method, and casts them in bronze. Blown glass sculptures evoke the bubble nets formed by the breath of whales working in concert.
The installation is an imaginative dive into an otherwise inaccessible world, and a sound portal to join with another species. Accompanying this installation is a single-channel presentation of From a Whale’s Back, an audiovisual work that uses data from scientific tags from Ari Friedlaender’s lab at UC Santa Cruz to study the behaviors of whales to ask us to consider the whales’ relationships to each other as well as our relationship to them.
Robertina Šebjanič, Lauren Bon, Victoria Vesna, Haley Marks, Alex Hall
Co_Sonic 1884 km² is a performance and panel discussion by Robertina Šebjanič, featuring a three-channel video with live audio performed by the artist. The event explores the connections between water ecology and the rights of nature, with a panel discussion including Robertina Šebjanič, Lauren Bon, Victoria Vesna, Haley Marks, and Alex Hall. This engaging event brings together art, science, and environmental issues, inviting the audience to reflect on important topics about our planet.
Robertina Šebjanič's CO_SONIC 1884 KM2 is an audio/visual-poetic reflection and AI-powered soundscape which explores the Ljubljanica river’s seven distinctly named sections as one integrated whole. Using the sounds and images of different lifeforms who (co)habit along the river’s path, dwelling both above and below the water, this multichannel video and sound installation tells the story of (co)existence among river environments and their human and non-human inhabitants.
LOCATION
Experimental Digital Arts at Broad Art Center
240 Charles E Young Dr N, Los Angeles, CA 90095
PARKING
Parking Structure 3
215 Charles E Young Dr N, Los Angeles, CA 90024
NAVIGATION
Walk into the main (North) building entrance
Navigate to the elevator bay and descend to the first floor
Walk out of the double doors and turn right into Room 1250.
Please join us on Friday, November 15th, 2024, for the opening reception of Robertina Šebjanič’s exhibition, “CO_SONIC 1884 KM2.”
Robertina Šebjanič’s Co_Sonic 1884 km² is an audio/visual-poetic reflection and AI-powered soundscape which explores the Ljubljanica river’s seven distinctly named sections as one integrated whole. Using the sounds and images of different lifeforms who (co)habit along the river’s path, dwelling both above and below the water, this multichannel video and sound installation tells the story of (co)existence among river environments and their human and non-human inhabitants.
Location: CNSI Lobby and Art Sci Gallery, 5th Floor of the California NanoSystems Institute (CNSI)
570 Westwood Plaza, Los Angeles, CA 90095
Parking: Parking Structure 9
675 Charles E Young Dr S, Los Angeles, CA 90095
Navigation: After parking, proceed to the top floor of the structure. Take the gangway along the north side of the lot, then navigate around the CNSI building to its east entrance on the 3rd floor. From there, you can access the lobby and the Art Sci Gallery on the 5th floor.
>>Video Screening Running in Parallel to the Exhibition
Location: CAP UCLA Nimoy Theater (Nimoy REEL)
The multi-channel video installation at CNSI will be complemented by single- and two-channel presentations of Co_Sonic 1884 km² at the CAP UCLA Nimoy Theater.
No RSVP required https://soundofatmosphere.com/nimoy-theater/
>>Co_Sonic 1884 km² Presentation by the Featured Artist
Date: Friday, December 6, 2024, 4 - 6 PM
Location: EDA (Experimental Digital Art)
A three-channel presentation of Co_Sonic 1884 km² with live audio will be performed by the artist, followed by a conversation on water ecology and the rights of nature with invited guests.
RSVP required
Speaker: Amber Stucke Artist Talk + Reviewing Christian Marclay's works in the David Bermant Foundation Collection
Responders: Mark Patsfall and Jovi Schnell
NOV 16, 2024, 10am PST / 1pm EST
Amber Stucke is an interdisciplinary artist based in Los Angeles, California. She identifies her work within ideas of social relationships situated between artistic research, science, and imagination.
Amber Stucke's sound installation, Talking to Plants, is featured in Atmosphere of Sound: Sonic Art in Times of Climate Disruption, co-curated by Victoria Vesna and Anuradha Vikram as part of the Getty PST ART initiative.
COLOR, LIGHT, MOTION is an online series featuring media artists and scholars in dialogue about artworks from the Bermant Collection of media and kinetic arts. Each featured presenter will discuss selected artworks in history and context and in relation to their own work and connections. This series is produced in collaboration with Harvestworks NY and the David Bermant Foundation.
Satinder Gil, Cambridge, UK, Emily Harris & John Halpern of I.C.A.I, Tuning Fork, NY, Victoria Vesna, Walter Gekelman & Haley Marks, UCLA
[SUN]Flower Plasma
art + physics = energy
Please join Satinder Gil, LASER, Cambridge, UK, Emily Harris & John Halpern of I.C.A.I, Tuning Fork, NY as they explore this art sci collaboratorative project with Victoria Vesna, Walter Gekelman, Haley Marks about the art sci collaborative process.
Friday, November 8th, 2024
10am PST, 1pm EDT, 19h CET
[SUN]Flower Plasma installation premiered August 31, 2024 in Elements! in Art and Tech exhibition, organized by Harvestworks Digital Media Arts Center as part of their Art and Technology Program on Governors Island.
Funded in part by NYSCA.
Building on the “Art + Physics = Energy” explorations, [SUN] Flower Plasma delves into the ecological and geopolitical significance of sunflowers and the scientific importance of Alfvén waves. The installation features sound and images from the Large Plasma Device, solar wind data from NASA’s Parker Solar Probe, and natural recordings, offering an immersive meditation on solar energy and the cycle of creation and destruction. The sound was mixed by Kevin Ramsay at Harvestworks NY, adding an additional layer of depth to the experience.
This art sci project resulted from years of dialogue between Victoria Vesna and plasma physicist Dr. Walter Gekelman, an expert in Alfvén waves who built one of the largest basic plasma machines in the world. In addition to gathering materials from the plasma lab, Victoria worked together with biomedical engineer Dr. Haley Marks to image sunflower parts, revealing their remarkable microscopic structures resembling the sun.
Discover more on: https://sunflowerplasma.com
